This highly readable self-help book delves into our addictive behaviors — what they are, how they originated and how to understand and ultimately overcome them. I like the way that each chapter is a vignette with Michael Easter going to people and their experiences that personify the issue. For example, with overeating, visiting a remote tribe where no cardiovascular problems exist, or when discussing gambling, visiting the scientists involved in transforming mechanical slot machines into video-gamified ones, and how this video-gamified model has been applied to so many other areas of our lives. Readable, refreshing and helpful. Thank you, Netgalley and Rodale books, for the ARC.
This is a quick book surveying Russians who abandoned their country once Putin began his “special military operation” against Ukraine. Granted, many of those who fled were thinking more of their personal comfort, but it was uplifting to read about those who where more principled. Even more uplifting was reading about some of the exiled Russians who are working behind the scenes to help Ukraine win the war, like the physicist who helped develop defensive equipment and was honored by Ukraine for doing so, and about those who have enlisted in the Ukrainian army and are risking their lives for Ukraine’s freedom. There are others working behind the scenes in Russia, assisting with sabotage. Those Russians willing to defy Putin are a small percentage of the whole. But even so, this book gives me hope that one day there might be a Russia that isn’t premised on killing one’s neighbors and isn’t premised on treating ones own citizens as medieval slaves.
Hrytsak takes a holistic approach, focusing on large subjects with a storytelling technique rather than relying on dry chronology. It starts with the day Russia attacked Ukraine in the current war and describes the innovative and communal way individual Ukrainians successfully fought back the surprise attack from a massive force that should have been more organized. Individual Ukrainians took responsibility for the defense of their country and fought back with whatever weapons they had. Their creativity and dedication set them apart from the monolithic army of the Russians, whose every movement came from above, often from Putin himself, meaning individual soldiers and their commanders were frozen, waiting for orders. This vignette sets the tone for the rest of the book: how is it that neighboring nations can have such starkly different citizens in outlook, response and resourcefulness? Hrytsak’s book answers that question by delving back into the history of Ukraine and its record of protest against unjust rule vs Russia and its history of the populace being held down by despots. Anyone wanting to understand the current war should read this book.
I loved Breathless and was looking forward to Midnight but didn’t find that McCulloch’s second novel was as strong as her first. There are a lot of the same engaging ingredients — murders, mystery and an expedition holiday — but the story bogged down. That said, anyone wanting to vicariously take a luxury expedition Antarctica cruise will love the authenticity of her setting.
It was an honour to be invited to speak at KUMPF gallery, and it was so nice to catch up with old friends and to chat with many young readers. I loved presenting amidst Bohdan Holowacki’s vast talent — see those paintings on the wall? His artwork will be exhibited until Dec 23! Thanks to Uliana Hlynchak for organizing, and thanks to Sonia Bodnar for reading the same selection from «Викрадене дитя» as I read in the original English edition of Stolen Girl. Yulia Lyubka is a brilliant translator, as everyone in the audience witnessed. It was a particularly emotional reading, as my husband was in the audience and the scene was based on his late mother’s escape from the Nazis. Lidia would have loved to hear this, especially in Ukrainian. Here is a FB video from the event.
Marta Humeniuk, whose parents were dear friends of my husband’s.
For the past several Decembers I’ve been invited to attend the awards gala for the Peterson Literary Fund, but I’ve only been able to attend this year and last. Both years, the evening was profound in unexpected ways. This year’s event was to celebrate excellence in translation. The Turkish translation of Robert Paul Magosci’s iconic A History of Ukraine was the top prize winner. This recognition thrilled me not only because this translation will help educate Turkish readers about the history of Ukraine at a time when Russian disinformation is rampant, but also because two of the three translators are scholars who have generously assisted me with research for a novel set partly in the Ottoman Empire in the 1500s: Maryna Kravets and Victor Ostapchuk.
Another honoured book was the English translation of Iroida Wynnyckyj’s Extraordinary Lives of Ukrainian Canadian Women, translated by Marta Olynyk. Iroida has connected me with many people to interview for my books ever since I first began writing books. It was so nice to see her at this event and congratulate her in person. And by sheer coincidence, my husband and I were seated at the same table as the daughter of one of those key interviewees — Marta Varvaruk, the daughter of Anelia Varvaruk — whose crisp memories and spirited endurance of her time in a Nazi slave camp became key inspiration for my most popular novel, Making Bombs for Hitler.
Maryna Kravets (coral necklace), Iroida Wynnyckyj (blue dress) and Marta Varvaruk (white and black glasses).
There are few historians who can match Anne Applebaum’s authority on topics that I write about so I was thrilled to be invited again to attend the Peterson Literary Foundation dinner (this past Friday), and particularly thrilled with the opportunity to listen to Applebaum in person. My copy of Red Famine looks like a porcupine with yellow quills because it has so many sticky notes in it. It was at my side as I wrote Winterkill. Needless to say, the chance to chat with Anne Applebaum was a dream come true.
Halyna Kostiuk, Ukrainian teacher extraordinaire at St. Josephat Catholic School in Etobicoke, arranged for me to visit last Thursday with grade 7 and 8 students. They had been reading as a class my novel, Stolen Girl, the Ukrainian version. Many of the students are recent refugees from Ukraine, fleeing Putin’s brutal war.
It was poignant for me to speak with them about the real history behind Stolen Girl — victims of Hitler’s Lebensborn program — the kids who were kidnapped by the Nazis and brainwashed into thinking they were German and placed into German homes. This novel was written to fulfil a promise I made to my mother-in-law before she died. She had lost half of her classmates to the Lebensborn program in WWII and she felt very guilty the rest of her life for surviving while her friends didn’t.
For these students to be able to read this book in their own language is bittersweet, seeing as Putin is now channeling Hitler, and doing his own Lebensborn program, kidnapping Ukrainian children, brainwashing them, and placing them in Russian homes. So much for “never again.”
I cannot post photos of the students for privacy reasons, but here are pics with teachers. On the table that was prepared for me to display my books, note the beautiful orange roses the students presented me with, and the Roshen chocolates — yum! It was a Ukrainian-themed day because after the visit, I dropped by Pelman Perogies factory outlet for a LOT of mushroom potato perogies, then off to Koota Ooma to buy my sister a Christmas present.
With Halyna Kostiuk and Olga ShklarWith Halyna Kostiuk and Mar’yana Chornij
There is a lot to like about this simple picture book. The text is precise and spare and would be particularly appealing to a beginning reader. The illustrations are approachable, and again, this makes it a good choice for a reader who is learning or by one who might feel intimidated by books in English. I also like the reassuring message that all of us are afraid sometimes and all of us feel alone, but there are people and moments and nature to share those moments with. I think this book would be best used in a classroom rather than as a read aloud or bedtime book at home. Why? There wasn’t really a story arc and to me the pages seemed to go on longer than necessary and sort of petered out, rather than come to a culmination. Thanks Tundra, Netgalley for the ARC.
